Tickets on sale Friday 3rd May!

Don’t miss the theatrical event of 2025 as the record-breaking, award-winning MY NEIGHBOUR TOTORO transfers to London’s West End.

Find your spirit with the return of the “awe-inspiring” (Time Out) production of Studio Ghibli’s MY NEIGHBOUR TOTORO, in collaboration with Improbable and Nippon TV. Following two rapturously received, sell-out runs at the Barbican, discover this five-star, ground-breaking “triumph” (Telegraph) at the Gillian Lynne Theatre from 8 March 2025.

Winner of six Olivier Awards and five WhatsOnStage Awards, this “utterly beguiling” (The Stage) and “jaw-dropping” (Metro) staging of the celebrated 1988 animated feature film is brought to you by The Royal Shakespeare Company and Executive Producer Joe Hisaishi, in collaboration with Improbable and Nippon TV, and adapted by Tom Morton-Smith (Oppenheimer).

Hailed as “a tender and remarkably beautiful show” (Financial Times), MY NEIGHBOUR TOTORO is an enchanting coming-of-age story exploring the magical fantasy world of childhood and the transformative power of imagination, as it follows one extraordinary summer in the lives of sisters Satsuki and Mei.

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Sign up to hear more about the unmissable, “huge, healing hug of a show” (The Stage) MY NEIGHBOUR TOTORO theatre tickets with LOVEtheatre today!

What is MY NEIGHBOUR TOTORO about?

This enchanting coming-of-age story explores the magical fantasy world of childhood and the transformative power of imagination, as it follows one extraordinary summer in the lives of sisters Satsuki and Mei.

In order to be closer to their mother while she recovers from an illness in a rural convalescent hospital, their father moves the family to the countryside. As the girls explore their beautiful new surroundings, Mei encounters magical creatures and the ancient protector of the forest she calls Totoro.

Although Satsuki doesn’t believe her little sister at first, they are soon both swept up in exciting adventures with their new neighbours–transported to a long-forgotten realm of spirits, sprites, and natural wonder.

Ticket Information

Tickets available on Friday 3rd May 2024 for performances between the 8th March and 2nd November 2025.

Running Time

2 hours 45 minutes, including interval.

Cast & Creatives

Haruka Abe (Yasuko/ Puppeteer), Li-Leng Au (Puppeteer), Boaz Chad (Puppeteer), Nino Furuhata (Kanta/ Puppeteer), Andrew Futaishi (Puppeteer), Zachary Hing (Puppeteer), Susan Momoko Hingley (Miss Hara/ Puppeteer), Yojiro Ichikawa (Puppeteer), Arina Ii (Puppeteer), Haruka Kuroda (Nurse Emiko/ Puppeteer), Marian Lee (Puppeteer), Matthew Leonhart (Puppeteer), Mei Mac (Mei), Aki Nakagawa (Puppeteer), Kanako Nakano (Tsukiko/ Puppeteer), Ami Okumura Jones (Satsuki), Michael Phong Le (Hiroshi/ Puppeteer), Tobi Poster-Su (Puppeteer), Si Rawlinson (Puppeteer), Dai Tabuchi (Tatsuo/ Puppeteer), Jacqueline Tate (Granny/ Puppeteer) and Shaofan Wilson (Puppeteer).

Phelim McDermott (Director), Tom Pye (Production Design), Kimie Nakano (Costume Design), Jessica Hung Han Yun (Lighting), You-Ri Yamanaka (Movement), Ailin Conant (Associate Director), Joe Hisaishi (Composer), Tom Morton-Smith (Playwright), Basil Twist (Puppetry), Will Stuart (Orchestration), Tony Gayle (Sound Design), Toshio Suzuki (Illustrator)

Age Guidance: We suggest age 6+, but younger guests are welcome. The show will be quite long (running time 2hours 45minutes, including interval), quite loud in parts and possibly scary for some younger children at moments. Children need to occupy their own seats at all times throughout the performance. This production is not suitable for children under 4 years of age (including babes in arms).

Photography by Manuel Harlan (c) RSC with Nippon TV.

Booking Period

8 Mar - 2 Nov 2025

For group bookings of 10 or more:
Submit a request online

Or call 020 7206 1176

Venue Information

Gillian Lynne Theatre

166 Drury Ln, Holborn, London WC2B 5PW

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Nearest Tube/Rail Station

Holborn or Covent Garden

Buses

1, 4, 6, 9, 11, 13, 15, 19, 22, 38, 55, 68, 76, 171, 176, 188

Nearest Car Parks

Parker Mews

Reviews

Guardian

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Financial Times

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The Stage

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Metro

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